Monday, 7 September 2009

Esquire (October 2009) now on stands. Gotta Dance.

Mark Ronson is this month's cover star. (There's a guy having a happy life. Though his sister seems to have a complicated life.) My column is about Andrea Arnold's film Fish Tank, a picture that set me thinking fondly about the hip-hop streetdance styles of the early 1980s, as a consequence of the stupendous amateur breakdancing of the film's protagonist, Mia, played by newcomer Katy Jarvis.
"Track-suited and hooded, stomping round her turf with Arnold’s camera often hard at her shoulder, Mia has the kind of feral, ill-employed energy one often finds in adolescent protagonists of realist cinema... Not content with exclusion from school, Mia courts estrangement from her friends, their quarrel embodied by warring styles of dance. For while Mia’s (ex-) mates are all into that urban/R&B manner of sullen, would-be-sultry pelvic grinding, Mia is a devotee of 80s-era hip-hop and breakdance. Yet she keeps this passion to herself, practising her moves alone in a vacant flat with a dodgy lock. She can’t quite accomplish the spinning-on-your-head bit, possibly because throughout each rehearsal she takes her refreshment from a plastic bottle of cider. But her dancing is clearly an expression of appetite and frustration, beautifully conveyed by Jarvis and Arnold."

Thursday, 3 September 2009

Adam Thirlwell reviewed in FT by RTK

My write-up of the second (or is it third?) novel from Granta-endorsed wunderkind Adam Thirlwell appeared in the print edition of last weekend's Financial Times, and was duly posted online come the Sunday.
As I say in the piece, The Escape is a work unabashedly inspired by other works from great writers of days gone by. "There’s nothing wrong with that, though the degree of pleasure one takes from Thirlwell’s text might depend on one’s fondness for his source materials..."
I go on to thumbnail the book like so: "The Escape has been warmly endorsed by Milan Kundera and it’s recognisably a work in the Czech writer’s wry, pontificating manner, whereby the wise, wistful author invites us to look at a scene and then look at it again, so that its seeming sadness or silliness reveals yet another level of meaning. Thirlwell makes frequent use of the exclamation mark, usually a misplaced attempt to sound jolly, but this he dubs “the European vocative”, a manner fit for “addressing absent abstractions”. It’s ideally suited to this example of the Euro-erotic novel. One could go further and class The Escape as a “Jewish psychological sex novel of the absurd”, which is the thumbnail description Time magazine gave Philip Roth’s Portnoy’s Complaint in 1969..."