Wednesday, 20 August 2008

Archived Richard T Kelly film reviews for Sight & Sound

I first started reviewing movies for Sight & Sound magazine in the Autumn of 1998, just after my first book Alan Clarke was published. Actually I'd never much fancied the idea of reviewing: I just wanted to write a long piece about Warren Beatty's movie Bulworth which was due for release around then too. In order to do so at S&S (no other outlet would have me at that point) I had to first earn my spurs by synopsizing and commenting on a few other new releases that I was less keen on. So I did that, got to do my Bulworth piece (it was less than I hoped...), and carried on reviewing duties there for a further 9 years. As they say on CBBC's Me Too, where did the time go?
I see that some of those old reviews have been archived at the BFI site, and some of them still read ok. I include links as follows so you can decide for yourself. I speak of ones I did on the Brad Pitt version of The Iliad, Troy, Paul Greengrass's Bloody Sunday, Michael Winterbottom's In This World, Le Fils by the Dardenne brothers, and Like Father by Newcastle's Amber collective. Above all I'm glad I got to write about The Darkest Light by Simon Beaufoy and Bille Eltringham, which is an absolute treasure of a movie that ought to be far better known and celebrated.

Tuesday, 19 August 2008

Newcastle United: Full of Surprises


YouTube is a great platform for enthusiasms and I see many of my own reflected in this black-and-white compendium that was evidently put together after Sunday's massively unlikely point at Old Trafford. Keegan may be onto something if he signs more Argentines with hairdos akin to his own c.1978. That year, after all, was when a pretty good Argentina side won the World Cup.

Monday, 18 August 2008

Review of From A To X (Berger) in Financial Times

Yup, I filed this review of John Berger's new and Booker-longlisted novel for the Financial Times this weekend past. I had the pleasure of picking up a gratis copy of said FT on Saturday morning as I checked into the excellent Channings Hotel of Edinburgh. You have to respect an establishment for which the FT is the staple side-table giveaway. For some the FT will always be the paper that serves as the punchline to the immortal quip, 'What's pink and hard in the morning?' For others, me included, it is the only newsheet of this day and age where everything therein feels truly serious - even the bits that happen to be funny.

Thursday, 14 August 2008

MP3 of Crusaders reading at Writloud 11.08.08

You can follow this link to hear me reading a selection of shortish bits from Crusaders at RADA this Monday night past. The MP3 starts with an explanatory preamble, but you can skip that if I hereby explain that what I read was 4 chunks from the 'back-story' of Stevie Coulson, concerning his bitter childhood and bullying stepfather, his discovery of 'the iron' that will make a behemoth of him, and the forging of his mettle on his first night as a professional doorman at a Gateshead disco-pub. There are 4 main characters in Crusaders but on the face of it if you had to say one was the protagonist, based upon word-count alone, it would likely be the Rev. John Gore. However an early review in the Tatler alerted me to a viewpoint held by a good few other readers subsequent, namely that in terms of the level of drama and the gravity of actions and consequences then Crusaders is really The Steve Coulson Story. So there you go. You write something and then a year later, if you're lucky, somebody tells you what you actually wrote.

September Esquire now on stands. Includes Adam Sandler.

Yes, that's James Corden on the cover of the new Esquire. Much other fine stuff within, de rigueur. My contribution is a review of You Don't Mess With The Zohan, in cinemas across the UK as of this Friday. Decide for yourself if that constitutes a correct use of available media space in which to comment on the state of the Seventh Art. But I am unashamedly a fan of Adam Sandler's, if not of all The Work in equal measure. Still, friends and acquaintances give me a lot of stick nonetheless. I don't think I can make the Case For Sandler any more extensively or straight-facedly than I have in this month's Esquire - my wife, in any event, has heard and watched enough, and that includes Mr Deeds and Reign Over Me. So this be my final word on the subject. For this year.

Tuesday, 12 August 2008

10 Bad Dates praised at PopMatters

This is a lovely US review of 10 Bad Dates With De Niro by Rodger Jacobs for PopMatters.com. The book is described as one "to obtain and keep on one’s nightstand or easy-to-reach shelves for years to come." Naturally I am also flattered to hear I've done anything 'masterfully', knowing all too well where my limitations lie. And I'm extra pleased that so many of the book's top-ranking contributors have had their work singled out, including Matt Thorne for his list of movie drunks, and in particular the selection of Sterling Hayden (shown here, through a glass darkly) as Roger Wade in Altman's The Long Goodbye - still the very model of a cult movie, one that rightly got several citations in the book, and a picture I could sit and watch straight through anytime.

Monday, 11 August 2008

Crusaders at Wigtown Festival 05.10.08

I'm in Edinburgh this weekend and looking forward to it greatly, but it's now online that come Sunday 5 October I will be back in Scotland, this time for the Wigtown Festival: an event set for 15:00 pm at County Buildings and costing£6.00. Programme details are here. I've heard fine things about Wigtown and look forward to the craic.
The Times extols Wigtown as "a small, friendly festival in Scotland’s official Book Town – which has about 20 bookshops... in rolling countryside by the sea, near salt marshes and Britain’s largest local RSPB bird reserve. It is also the only book festival with a local whisky distillery, Bladnoch." Trebles all round then.

Sunday, 10 August 2008

Yes, Crusaders paperback review in the Sunday Times...

My publisher thoughtfully sent along the quotable bit from the Sunday Times, so I will make do with that, and leave the rest to fond imagination:
"Kelly succeeds in making the story of a troubled Anglican priest struggling with the problems of a sink estate the unlikely focus for an ambitious and absorbing state-of-the-nation novel."
That said, I do rather wonder who was the author of this short review... Perhaps a trip to the library after all, then.

My Breton Holiday, As Foreseen By Somebody Else

This lovely still of the beach at Val Andre taken from Flickr represents the composite dream/reverie version of how me and my family spent the last week... My Cybershot camera is broken at the moment, so how nice that the web allows one to whistle up instant holiday snaps, however unpeopled! But in fairness ours did involve a good deal of sand-castles and ice-creams, so the spirit is there.
Meanwhile, back in the real world, little did I know how bloody awful things were getting while I was filling those buckets with sand...

Crusaders paperback reviews in the Guardian, Telegraph... and Sunday Times?

I was on holiday in France all of last week but heard from one or two kind friends that the Sunday Times of August 3 wrote kindly of Crusaders in their paperback round-ups. It's not online so I'll have to go a-hunting in the library, most like... Today, though, I'm very pleased to see that the Guardian and the Sunday Telegraph (scroll down) have also printed positive Crusaders reviews. In one of those funny-peculiar bits of timing, the Saturday Telegraph ran a negative write-up yesterday, one that slightly suspiciously echoed one or two others from the past by complaining of one noun in particular, i.e. my attributing to Steve Coulson a feeling of 'tristesse'. But then you will see this sort of thing from a certain caste of English book reviewer: the certainty that proletarian characters in books (and life?) can't possibly have complex or profound emotions. Which is interesting stuff, in its own way...

This Is My Brain. But Which Is My Good Side?

The week before last I had the intriguing experience of calling on a neuroscientist at her Bloomsbury laboratory, and having my brain scanned by an fMRI machine, the results of which you may see herewith.
Yes, just like in the movies, I removed all metal about my person, including my wedding ring, lay on a gurney to which I was then strapped, and was then rolled slowly by remote control into a dark and confined tubular space that consumed me as far as my chest. Then, to muted sounds rather like the pulse of monotonous machine-made 'dance' music, my brain was laboriously imaged by magnetic resonance. It was a fairly peaceful 12-minute experience, as pensive a time as I've been allowed in recent months... Admittedly my thoughts turned once or twice to William Hurt as Eddie Jessup in the movie Altered States but it was all over much quicker, and I didn't regress to a primordial state.
So what is there to be said of my brain, relatively speaking? Hardly anything. I'm told it's a fairly normal boring brain, albeit with less space in the skull cavity than a man younger than I would have - apparently that's another aspect of ageing that can't be avoided, but can also prove useful in the event of serious head injury...
Still, all in all an interesting evening's pastime, free of charge.

Friday, 1 August 2008

David Miliband: Invitation to a Beheading?

The Times reports, "Mr Brown may garner some encouragement from a YouGov poll in today’s Daily Telegraph, which records that Labour support would decrease from 25 per cent under Mr Brown to 24 per cent under Mr Miliband. With Tony Blair back as leader, Labour would leap to 32 per cent against the Tories at 41 per cent. Mr Brown faces an acute dilemma about what to do with Mr Miliband in the reshuffle... [A] senior figure added, however, that the “nuclear option” of dismissing Mr Miliband had not been discounted."
None of these stats or mutterings make warm and fuzzy reading for Mr Miliband, though Mr Blair might feel a rush of the old self-sustaining pride in his blood. As for Mr Brown, it would be a risible thing to see if he now did to Miliband what Blair as PM always lacked the ruthlessness to inflict upon his grousing Chancellor.

Wednesday, 30 July 2008

Alex Cox interview on www.filminfocus.com

My write-up of the on-stage conversation event I did with Alex Cox at London's Barbican earlier this month is newly online at Film In Focus, where you can of course find a whole load of other great stuff about film and filmmakers past and present. The evocative photo of Senor Cox herewith is by el_rengozamora over on Flickr. I seem to have lost my old audiocassette of the Repo Man soundtrack and my aged and worn ex-rental VHS of the movie, so I think it's time for me to invest in a no-doubt eminently affordable DVD plus features...

Tuesday, 29 July 2008

David Cameron: His To Lose...

I hope to be writing about this at length in print quite soon, but after Glasgow East are we looking at a slow grind to the succession circa 2010, as we had after Blair won the Labour leadership in 1994 while Major and his lot fell apart? If so, what are the possible impediments? Depends where you're looking from. The estimable Denis MacShane MP (Labour, Rotherham) wrote in the Telegraph at the weekend, "David Cameron's problem is that nearly all his senior shadow ministers and aides come from a narrow elite of wealth with no worries about mortgages, pensions or education costs." But then how many of the Labour front bench these days can claim to be Of The People in this manner either? To discuss...

Thursday, 24 July 2008

Richard T Kelly/Crusaders reading @ Writloud, 11.08.2008

Writloud is a monthly readings event in London showcasing both new writers from Birkbeck College’s Creative Writing courses, and established authors. (Writloud guest authors to date have included Jonathan Coe, Hari Kunzru, Russell Celyn Jones, Peter Hobbs, Benjamin Markovits, Kate Pullinger and Helen Simpson.)
Their next event they kindly bill as being with "guest writer Richard T. Kelly, author of the acclaimed debut novel Crusaders (Faber, 2008) and of four non-fiction books on film and film makers."
Time and place is Monday 11 August, 6.30-8.15 pm, RADA Foyer Bar, Malet Street, London WC1E 7JN. Admission is free of charge, but with a suggested donation to Oxfam of £3.50. To reserve places in advance, email writloud@aol.co.uk.

Saturday, 19 July 2008

Review of Sashenka (Montefiore) in today's FT

In this weekend's edition of the Financial Times I've reviewed the new novel by the prize-winning historian who gave us Young Stalin and The Court of the Red Tsar. The narrative of Sashenka will come as no surprise to admirers of those histories, as its main action takes the reader back into the close circle of the Georgian Man of Steel (pictured here in stone.) And undoubtedly there is no end of dramatic material to be found in the Soviet archives: "What fascinates (Simon) Montefiore is the degenerate world of the tyrant’s court: fanaticism, self-interest, treachery, paranoia."

Tuesday, 15 July 2008

Hang the DJ: rock scholars start listing...

The Bookseller reports on a forthcoming title from Faber and Faber in which I'm pleased to declare an interest:
"Faber fiction editor Angus Cargill has drawn on his personal love of music to produce a book of music lists chosen by high-profile literary names. Hang the DJ: An Alternative Book of Music Lists (Faber, October) contains eclectic top 10 song choices from writers such as Jonathan Lethem, Hari Kunzru, Patrick McCabe and Michel Faber... Lethem contributes “10 Smutty Moments from Bob Dylan”, David Peace offers his “10 Favourite Japanese Bands”, and Cargill has also included his own list of “10 Songs of Heartache, Misery and Woe”, which include “Let Me Down Easy” by Betty Lavette and Dolly Parton’s “Jolene”. Cargill said: “We did a book last Christmas called Ten Bad Dates with De Niro [by Richard T Kelly] which was a film compilation and did nicely, so we had the idea of doing a musical equivalent.”
Great idea! I can't wait for the finished item. I contributed a list of my own to the book by request, a canon of the best 10 'power ballads', that dubious term narrowed by definition to mean tunes that reveal the sensitive side of otherwise extremely hard-rocking turn-up-to-11 artists. I won't waste time being coy on Who is my #1: see photo above. This brilliant image of the 'Orrible 'Oo is by Richard E. Aaron, and you can find it on his Flickr photostream.

Thursday, 10 July 2008

Crusaders in paperback / audio interview & readings online

I could be wrong, but I think the 'mass-market' B-format paperback edition of Crusaders is published into shops on July 31 2008. Forgive me if one more time I plough through the press cuttings. You only get to pitch your first novel once, or - in this case, allowing for the 'second-bite' principle of the mass-market edition - twice. So, what they said was:
‘A magnificent state-of-the-nation epic.’ Financial Times
‘A powerful, assured literary debut that will create loyal congregations of devoted followers.’ Independent on Sunday
'The most impressive, most important literary debut in yonks ... Dostoyevskian in scale and ambition… gets to the cantankerous heart of modern Britain.' Tatler
‘A terrific debut: an intelligent state-of-the-nation epic.’ Mail on Sunday
`An almost Tolstoyan seriousness of purpose... a weighty achievement in every sense.’ Guardian
'A refreshingly ambitious and strikingly accomplished first novel' Independent
‘In Crusaders, the north-east has found a new champion.’ New Statesman
‘A bold novel, one well worth quarrelling with.’ Times Literary Supplement
‘Its narrative force and the drive of its characters (even the bit parts), so sharply realised as to be utterly engrossing.’ Scotland on Sunday
‘A very good novel. And it is radical too.’ Glasgow Herald
‘A big, generous fiction debut that resurrects a whole tradition of British writing - the state-of-the-nation’s-morals set piece, more familiar from Victorian literature - and breathes new life into it... A novelist to watch.’ Sunday Times
‘Ambitious, truthful, perceptive and heart-breaking... It has sat well alongside The Brothers Karamazov on my bedside table... I admired this novel more than I can say for tackling some big, important, impossibly complex issues boldly and full-on... It is a book with a heart and a soul and courage and conviction and I commend it to you.’ Susan Hill
Crusaders' dedicated page on the Faber website is here. I'm also most grateful for the presence on the Faber site of some very extensive MP3 files related to Crusaders. Here is a long-ish interview between myself and George Miller about the writing and the themes and true-life context of the novel. And then there are four short-ish readings from the novel, by myself. Here is a bit from the early chapter describing Reverend Gore's return to Newcastle by train in September 1996. Here is a bit from one of the 'flashback' chapters: 'Big Steve' Coulson, in the summer of 1988, struggling with unplanned parenthood and a new threat to his authority as Newcastle's number-one doorman and tough nut. Here is an extract from Gore's first fractious audience with Dr Martin Pallister MP, at Pallister's flashy Newcastle office. And here is something from one of the many lovers' spats between Gore and Lindy Clark.

New Sight & Sound on sale. Includes Sean Penn.

As discussed previously, Sean Penn's account of his jury presidency at Cannes back in May, "as told to" me, appears in the new Sight & Sound now at newsagents near you. 'President Alpha Dog' is the headline they sportingly plumped for.
The expression 'alpha dog' is one I first heard from Penn's lips, applied to the redoubtable director Bob Rafelson, who didn't work in pictures for a few years after an altercation of some sort on the set of Brubaker. Nick Cassavetes, son of John, with whom Sean worked on She's So Lovely, went on to make a picture called Alpha Dog, released in 2006. (In my brief experience of him Cassavetes too would qualify for the Alpha Dog label, as would a lot of the guys who work with him.) But if I remember rightly from some time spent wandering round Marin County where Penn resides, in one picturesque little hamlet there is also some kind of prestige salon/boutique for canines called... you guessed it. So who can rightly say where it all began?
The picture herewith includes Catherine Deneuve, who is definitely not an alpha dog, more of an exquisite cat, maybe a little more zaftig these days but still setting the aesthetic standards in multiple categories. As Penn told me in respect of the special palme she was awarded, like that also bestowed on Clint Eastwood, "we all benefit from the endurance and quality of those two peoples’ contribution to film."