In my teens I enjoyed what was for me a very useful correspondence with the Scottish singer/songwriter Momus (Nicholas Currie), who responded very graciously to umpteen dogged queries I had about his delightful recordings, in particular some of their literary underpinnings. I remember my chasing him about Jean Genet and he saying essentially that one or two of the plays were fine and dandy but that the novels (Our Lady of the Flowers and so forth) he planned on 'saving for his old age', along with Kafka's America. I found this very impressive, and shortly thereafter affected a similar if less meaningful stance toward the later novels of Thomas Mann. Thankfully the pose didn't last and I gave in to Doctor Faustus, of which I can say there is scarcely a novel I like better. But I was daunted still by Mann's slightly earlier tetralogy Joseph and His Brothers, all 1400+ pages of it. 'Only the exhaustive is truly interesting', Mann is believed to have said. (But then he never had to get through Crusaders.) In any event a friend has just made me an excellent present of the recent translation of Joseph by John E. Woods, and some low-but-building thrill tells me this is the very moment to crack those forbidding pages. I'm probably old enough now. But how long will the whole take me, in this age of distraction? Hard to say, maybe all year, but as a project I will log my impressions of it occasionally as I go along. Next year, I don't doubt, all the readers' groups will be at it like rats up a drainpipe...
Showing posts with label Thomas Mann. Show all posts
Showing posts with label Thomas Mann. Show all posts
Monday, 2 June 2008
Blogging Joseph and His Brothers by Thomas Mann
In my teens I enjoyed what was for me a very useful correspondence with the Scottish singer/songwriter Momus (Nicholas Currie), who responded very graciously to umpteen dogged queries I had about his delightful recordings, in particular some of their literary underpinnings. I remember my chasing him about Jean Genet and he saying essentially that one or two of the plays were fine and dandy but that the novels (Our Lady of the Flowers and so forth) he planned on 'saving for his old age', along with Kafka's America. I found this very impressive, and shortly thereafter affected a similar if less meaningful stance toward the later novels of Thomas Mann. Thankfully the pose didn't last and I gave in to Doctor Faustus, of which I can say there is scarcely a novel I like better. But I was daunted still by Mann's slightly earlier tetralogy Joseph and His Brothers, all 1400+ pages of it. 'Only the exhaustive is truly interesting', Mann is believed to have said. (But then he never had to get through Crusaders.) In any event a friend has just made me an excellent present of the recent translation of Joseph by John E. Woods, and some low-but-building thrill tells me this is the very moment to crack those forbidding pages. I'm probably old enough now. But how long will the whole take me, in this age of distraction? Hard to say, maybe all year, but as a project I will log my impressions of it occasionally as I go along. Next year, I don't doubt, all the readers' groups will be at it like rats up a drainpipe...
Friday, 11 April 2008
Thomas Mann
Which bit of formidable sculpture would win in a fight, do you think? Paolozzi's Tyneside 'Vulcan' as glimpsed here in one of last week's entries? Or Herr Thomas Mann, as immortalised in this thumping great Berlin bust? I'm in a favourite-writers mood, see, and harking on Mishima as below reminded me of one to whom Mishima bent the knee. Again, the length of the average novel may have been a consideration here: Buddenbrooks, The Magic Mountain, and Joseph And His Brothers all have great capacity to them... My favourite of Mann's productions is the magisterial Doctor Faustus, and when I get round to constituting a proper Recommendations element to this blog I shall say more about why.
Subscribe to:
Posts (Atom)