Showing posts with label paul greengrass. Show all posts
Showing posts with label paul greengrass. Show all posts

Friday, 12 March 2010

Esquire (April 2010) now on stands

Leo DiCaprio is the cover star, looking like a swinging kind of guy. Inside is a rare sighting of Chris Morris, also a spot of erotic finesse courtesy of Rankin. My column is about Paul Greengrass's Green Zone, of which I say:
"One can imagine a great Greengrass movie shot at the eye-level of one soldier amid the fog of the
Iraq war, trying to see his way through the morass. But the visual signature of Green Zone is a grand aerial shot across Baghdad, signifying that Greengrass and his writer Brian Helgeland (LA Confidential, Mystic River) have an overarching theory about the invasion of Iraq – one that tends heavily toward conspiracy..."
John Rentoul, who hasn't seen Green Zone, is nevertheless on the right track with his suspicions of it...

Wednesday, 4 November 2009

Simon Mann: Plenty of rounds!

No-one who writes for a living and has the usual degree of interest in lawyers, guns and money can fail to have been diverted by the saga of Simon Mann, who today returned to the UK from Equatorial Guinea, pardoned by the dictator whom he once hoped to unseat - on behalf of exactly which interests, we wait to learn.
Like most people who don't know Mann personally, I first spotted him in Paul Greengrass's film Bloody Sunday, and I wrote at the time, "Greengrass's smartest piece of casting is Simon Mann, a chiselled SAS veteran of several tours in Derry, who makes an authentically no-nonsense fist of playing Colonel Derek Wilford, commanding officer of One Para. Wilford instructs his Paras to ‘scoop up’ selected ‘yobbos’ on the march, and fire if fired upon (‘Plenty of rounds!’)."
Mann's best line in the movie, though, comes in the wake of the terrible slaughter to which Wilford has exhorted his men: ‘We’ve just fired a fucking horrendous amount of ammunition, we’ve got to know why, and we’ve got to have some weapons...’ I think I know better now why Mann was so convincing here. (Paul Greengrass, interestingly, has been quoted describing Mann as "very English, a romantic, tremendously good company". Yes, I would imagine.)