Showing posts with label steven sheil. Show all posts
Showing posts with label steven sheil. Show all posts

Wednesday, 14 January 2009

Northern Lights Film Festival 2008: affable discussions of horrendous subjects

The Northern Lights Film Festival have posted some nice photos from this year's bash up onto a Facebook page, and already these bring back some funny memories - most particularly of the slightly surreal and riotous final night at the Baltic when the 'Big Pitch' talent competition was decided, and a substantive cash prize awarded to some suitably delirious young talent, followed by the compulsory elbow-raising beer 'n' wine frenzy at the bar next door.
Rewind about 4 or 5 hours and you get the tranquil scene here pictured: myself chairing a discussion on low-budget horror filmmaking in the Digital Lounge of the Tyneside Cinema; to the left of frame, the director Steven Sheil and his producer Lisa (they of the much-lauded Mum and Dad); to the right, the short filmmaker David Pope (and by that I mean a director of - very fine -short films, and not someone who's no taller than, say, Tom Cruise.)
Of course, the real horror of this scene was only to unfold a few minutes after I stepped off the platform and got on the phone, to learn that effing Stoke City had got their last-minute equaliser at Saint James's (see passim.) I won't bloody be forgetting that either...

Monday, 8 December 2008

Northern Lights Film Festival 2008

Had a good laugh and a decent drink on Tyneside last Saturday, at my favourite festival in the whole wide world, where I've done a turn every year since its inception back in 2003. In the afternoon I conducted what felt like an interesting public discussion with Steven Sheil, the smart and talented director of the deeply unsettling low-budget horror film Mum and Dad, which gets an all-windows release on Boxing Day. Also on the panel, a great guy called David Pope who makes inspired horror/comedy shorts, including Gasoline Blood. In the evening at the closing do hosted in some style by the Baltic Gallery I handed over a Script Development Award, the jury of which I had been part, to a clearly outstanding young writer/director, Deola Folarin. The runner-up Simon Fellowes was also on hand, and I had the pleasure of telling Simon I own a few 'records' he made back when he recorded as Intaferon. Other good, good people it was great to see up there by the broad majestic Tyne included the Better Things team of Samm Haillay and Duane Hopkins, the playwright Fiona Evans, critic Jason Solomons, distributor Eve Gabereau, and the festival's stalwarts Patrick Collerton, Mark Dobson and Melanie Iredale. To 2009, then...