"In The Wrestler’s first reel Aronofsky keeps his camera on The Ram’s shoulder, as if the film were hard-edged docu-drama. But in fact he’s just shooting his star, teasing us before revealing Rourke’s face – the complexion tandooried and tenderised, the lips like waxen fruit."
Call me hypocrite, lecteur, but I go on to say that I do wish people could stop writing about the tragic case of this actor's former handsomeness - it's a little bit unseemly - but then The Wrestler makes this impossible: the movie is just such a big untrammelled load of Rourke.
For the sake of full disclosure I should admit that back in late 1986, while Rourke was rumoured to be in Belfast researching an accent for a movie role with the help of the playwright Martin Lynch, I undertook a most unwise night of underage drinking in some unsuitable pubs he was (no doubt wrongly) rumoured to be frequenting. Why? Well, no doubt the touching hope of bumping into him and striking up an instant rapport. I lost it at the movies, indeed...
Currently one notes that Rourke is really putting himself out there for the awards season, and much is getting written about his Early Life and Later Lost Years, including an interview piece in the New York Times by Pat Jordan about which, one supposes, the subject may have mixed feelings.
Currently one notes that Rourke is really putting himself out there for the awards season, and much is getting written about his Early Life and Later Lost Years, including an interview piece in the New York Times by Pat Jordan about which, one supposes, the subject may have mixed feelings.
No comments:
Post a Comment