
Saturday, 30 August 2008
Arsenal 3 Newcastle 0

Friday, 29 August 2008
Obama v McCain: somewhat more interesting...

Thursday, 28 August 2008
Crusaders writLOUD/RADA Write-Up
Nice review of Crusaders in the Irish Tribune by Tom Widger

Then again, I suppose if someone made me an offer...
The Story and the Truth: a new blog
I couldn't agree more with TS&TT's general critique of the Democrats' sanctimonious and rather slack-jawed campaigns of recent vintage: 'Dedicated to a rationalism that expects voters to respond to debating rhetoric, they have ceded term after term to the Republicans, allowing their opponents to define the rules of the game.'
I should say that the blog also has some kind words for Crusaders in a sidebar books feature called 'Words We Like': to wit, "A state of the nation novel without the po-faced worthiness, this has everything - gangsters, Parliament, Anglicanism and council estate soap opera. A formidable - and wryly written - treat."
In all, one to watch, as they say.
James Milner: Divvint Gan, Man!

James Milner hasn't got the greatest pair of shooting boots and his delivery from wide can be erratic, but at 22 he's hardly the finished article, and still he's absolutely the sort of player I want to see in black-and-white. But it looks like he's on his way to Martin O'Neill's Villa, so epitomising the very vexatious one-step-up two-steps-back culture of the Barrack Road.
Wednesday, 27 August 2008
Saw the BBC News today, oh boy...

Miliband did well today. The Telegraph reports his saying that "the sight of Russian tanks in a neighbouring country on the 40th anniversary of the crushing of the Prague Spring has shown that the temptations of power politics remain." But check out the Telegraph readers’ posted comments (scroll down) if you want to get yourself massively dispirited: thin streaks of would-be testicular contempt for Miliband and ‘Bliar’-‘Nu’ Labour/pseudo-sophisticated hatred for the faltering US imperium/veiled admiration for far-flung Russian ‘toughness’.
Cameron has applauded Miliband for going to the Ukraine but tried to up the ante in talking to BBC News: "I think the only language a bully understands is when somebody stands up and says, 'Look, what you've done is wrong...' Prime ministerial, do you think? Sky News further report him as saying “Having Russia as member of the G8 at a time when her troops are still on the sovereign soil of another country I think is inappropriate.”
The 10 O’Clock BBC News decided to follow David Davis and 'shadow immigration minister' Damian Green in giving Neighbourhood Wardens a hard time, soberly repeating the Tory allegations of ‘cheap policing’, with a slight implication of the advancing horrors of the so-called surveillance state. The focus seemed entirely upon the punitive potential of wardens, not on their value to those local people who might know them as individuals, trust them and welcome them. Personally I have observed these Wardens to be of plenty good use to the deprived wards of Scotswood and Benwell in West Newcastle. (One Stewart Carse from Co Durham was the Warden the BBC hit upon to make his case in less than ten seconds.) Online I see the BBC reporting Damian Green to the effect that ‘the government should be freeing up regular police to tackle serious crime.’ Okay then, if you’re running on a law and order auction, you Tories, I look forward to your bids.
Having cast doubt on the government’s concern for our ailing urban 'communities', the 10 O’Clock News then offered some plaintive noises about people who invested in buy-to-rent barely-built second properties in Spain – now suffering from the catastrophe in the building trade which has followed the credit crunch as night follows day. For sure, I hope these punters get out of the hole they dug for themselves, just for their own sakes, but honestly, how many of us – in turning on the nightly national/world news at a time of geopolitical turmoil, only to hear about such essentially private misfortune – could give an effing toss?
Hang the DJ and YouTube's great video jukebox

On which note, here in no real order are ten tunes that I don't actually own on either vinyl, cassette, CD or MP3, but which I find myself looking at quite regularly on YouTube. Some are obvious gems, others are what connoisseurs might tactfully describe as guilty pleasures, whereas I am far too old for that sort of nonsense now:
Richard Thompson, Needle and Thread: In my mind I did buy his last album and yet I find no evidence about the house.
Stewart Copeland & Stan Ridgeway, Don't Box Me In: From the soundtrack of my favourite movie c. 1984, amazed I never bought it.
Sinead O’Connor, Jealous: before she took the veil, a characteristically Beautiful Love Song
Gerry Rafferty, Baker Street: where did he get it from? And where has he taken it to?
Wall of Voodoo, Mexican Radio: Shaky Stan Ridgway again (pictured) - and he should have been in pictures.
Siouxsie and the Banshees, Kiss Them For Me: I know she's a legend and that, but who knew she'd scrub up like so, and move so sinuously to boot?
Lou Gramm, Midnight Blue: If you want to feel like Bret Ellis's Patrick Bateman... REM used to cover this tune, in naked envy.
The Blue Nile, Tinseltown in the Rain: A fine singer who's got better and also sorted out his hair and shirts.
Black Uhuru, Great Train Robbery: the matchless power of Sly and Robbie.
Level 42, Something About You: to be viewed alongside its diptych 'Leaving Me Now' in which Mark King also plays a crying-on-the-inside clown.
I will play this game again...
Tuesday, 26 August 2008
Russia, and a fresh fight for the anti-imperialists

You will have seen/heard that Russia currently does have some really angry is-anyone-listening?-type Western apologists, who didn’t like the Kosovo war of 1999 and didn’t think Milosevic was unusually despicable, and do think that NATO sewed dragon’s teeth with that military action. An FT leader makes what I think is a (perhaps ‘the’) salient distinction: “The Abkhaz and Ossetian populations have not been threatened with anything remotely approaching “ethnic cleansing” or “genocide” by the Georgians. If anything, the danger is in the other direction, with ethnic Georgians fleeing both regions to escape the Russians and the Russian-armed secessionists.”
As the FT suggests, this flawed and dishonest logic of Russia’s might yet bite her back or otherwise embarrass her, encoraging “the restive republics of the north Caucasus, such as Ingushetia and Dagestan, as well as Chechnya, to determine their own destiny.” As books by Bob Woodward and Alistair Campbell have shown us, it was over his attempted crushing of Chechnya that Putin really reached out to the Western powers, in search of common cause against what he called as an Islamic menace; then after 9/11 Putin shook his head, reckoned he’d told ‘em so, and decided to focus his efforts entirely on never having to seek common cause with anyone ever again. As Christopher Hitchens writes in Slate, “overt Russian imperialism is back, after a very short absence from the scene, and it is no more amiable or benign from the many toxic resentments it acquired during its period of decline and impotence and eclipse.” Any statesman who quite fancies being a hated pariah - would indeed wear such status like a crown - is a tough opponent to weather.
Made in Heaven (US 1987, dir. Alan Rudolph)

At the final reckoning Alan Rudolph's career will probably come to be seen as one founded on the cultiest of cult movies (obviously, with Dorothy Parker and Gordon Liddy among his diverse interests, and Keith Carradine and Kris Kristofferson his favoured leading men.) And bittersweet romance has always been one of Rudolph's strongest suits. So Choose Me (1984) may end up getting counted as his masterpiece. Whereas Made in Heaven is one of those movies that most critics considered a would-be-commercial misfire, and the release version was chopped about without Rudolph's consent. But it's definitely the picture of his that I'd take to my Crusoe island.
It's a celestial Love Story that moves from funny/rueful to unashamedly cute/winsome - and then abruptly becomes a Loss Story, with terribly wrenching effect. The excellence of the narrative and its structure is the power of its metaphor.
Lovelorn Tim Hutton dies before his time saving some kids from drowning and goes to an oddball but charming Heaven, where God is Debra Winger in drag (we might indeed all find this to be the case one day...) In Heaven Hutton meets and falls in love with Kelly McGillis, and she with him. Natural justice, the viewer might say. But McGillis was 'made in heaven' and is there only to be gone from there, en route to earth: 'I'm going to be somebody's baby.' Hutton appeals to God/Winger, and is told that's his hard luck: such is life, and death. (You can watch this bit actually.)
But, the rules have one loophole - Hutton can be sent back after McGillis, reborn as a babe himself. The catch is that he won't know where in the world he's going, or anything of why he willed this to be: he'll just be an average Schmo like we all are, stumbling around in the dark. If he can find (or rather, run into) McGillis within 30 years, their fine feelings for one another will be restored like magic - 'love at first sight', you might say. If not, then love will never find either of them: the rest of their lives will be doomed to sadness, and unfulfillable ache.
Now then - did you spot the metaphor? The sense in which this obvious whimsy actually throws a sharply slanting, possibly painful light onto what is a crushingly familiar romantic preoccupation to a great many human beings? That's the wonder of this lovely movie. And YouTube preservation aside I hope it's reincarnated in a proper home format one day.
This is the ending, and if it seems especially to make no sense I believe that's because it was one of the passages most aggressively recut against Rudolph's wishes so as to sweeten an otherwise downbeat end. Still quite gorgeous, though. Contains for me the most fabulous focus-pull-plus-slight-pan in any movie. The score is Mark Isham and the final song is Neil Young's 'We Never Danced', again laid on thick as they did in the 1980s, but such is the way to High Emotional Content.
Sunday, 24 August 2008
Good Crusaders review in today's Observer by Robert Collins

As have others (passim), Collins does point out my "hijacking the antiquated prose of the Victorian social novel", and says that he finds this has "mixed results." And as previous, I've absolutely no quarrel with that view: one makes one's choices in this manner at the outset, and lives with 'em thereafter, and I respect the way Robert Collins has expressed his opinion of same.
Subscribe to:
Posts (Atom)