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Hence the special drama of this story, for which Hampton was the ideal dramatist – Freud and Jung as mentor-and-protégé pioneers in the fathoming of the unconscious; Jung becoming the errant son who succumbed to sex with a patient, then proceeded to an occult-spiritual philosophy that alienated him yet further from rational, disapproving ‘father’ Freud; and Spielrein as the woman who first occasioned this intellectual dispute, then went on to make a discerning contribution to it.
The richness of all this is obvious. Is it ‘a movie’ though? I’ll be intrigued to see whether Cronenberg follows Hampton’s play in jumping forward and revealing to the audience at the halfway stage what was Spielrein’s eventual fate. It’s also worth noting that Paul Schrader, an equally fine piece of ‘casting’ for this project, tried to write it as a play for the National Theatre in 1982 at the prompting of Peter Hall, but could never quite finish his script. (‘It’s such a great story’, Schrader told Kevin Jackson for the excellent book Schrader on Schrader, ‘that it took me a long time to realize that it just wasn’t working.’)
For Cronenberg Sabina Spielrein is played by Keira Knightley who also gets top billing over Viggo Mortensen (Freud) and Michael Fassbender (Jung). For me as for many viewers, this is a small matter of concern, but presumably for many other viewers it will be why they turn out for this movie. So, we shall see… Here at any rate is the trailer.
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