Amber Rudd MP, now the former Home Secretary |
The BBC News Channel kindly had me on yesterday afternoon to
talk about the job of Home Secretary and my fictional rendering of it in The
Knives. Amber Rudd’s regrettable exit from the front line was the pretext; and the sixth of my
novel’s seven parts does indeed describe a ministerial crisis wrought by cascading malfunctions
arising from immigration policy, during which my made-up Home Sec David
Blaylock must fight for his political survival or else by propelled out of the door – by events,
unintended consequences, angry bystanders, assorted ill-wishers etc.
(Spoiler
alert: Blaylock wins the aforementioned battle, partly by outmanoeuvring a broadsheet newspaper
determined to oust him, and by physically confronting a leaker within his department. Both of these dramatic turns are, I admit, a novelist’s fancy rather
than the products of research.)
Anyhow, this (approximately) is what I told the BBC.
David Blunkett rightly described it as a job consumed by 'intractable problems'. The job of Home
Secretary - whoever’s doing it, of whatever political stripe - seems to me beset
by three challenges that tower above all.
1) Because of the huge and burning responsibilities of borders,
police and counter-terror, a great swathe of the public have an opinion on how the
Home Secretary’s doing, even if they don't know his/her name or indeed anything else about them; and a goodly few are
so insistent about what should be done to ‘sort out’ any given mess that you could
almost believe they imagine they could do the job better - freelance, as it were, without training or experience.
2) Unlike in the other great offices, at the Home Office your ‘customers’ include
a substantive number of individuals who don’t see you as acting for their
interests – they don’t want you to succeed in your job (for instance, people
who are very well aware that they are in the UK illegally; or people plotting
terrorist acts of wickedness against the civilian populace.)
3) The cliché of ‘Events, dear boy’ is truer at the Home Office
than anywhere else in politics. As Jack Straw’s ‘Sir Humphrey’, Richard Wilson,
told him on the day he took up the post, he needed to enjoy the blue sky outside
his window while he could, because an Exocet missile would be headed his way
soon enough.
Straw – in his fine 2012 memoir – also stresses that the
Home Secretary wrestles with four very distinct factions in order to force
through policy, or even just get through the working week: there is the Public,
there is the Press, there is the Party – and then there is the Department
itself, which has a long history of taking a different view to the Minister,
subtly or otherwise, as well as some strange collective sense of its own amour
propre. (David Blaylock, while clashing with his own Permanent Secretary,
feels a dispiriting perception afloat of ‘successive ministers as mere
fly-by-nights passing through a far more solidly entrenched world.’)
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